Former Indian captain Bishan Bedi He died at the age of 77 in Delhi.
Bedi had been ill for the past two years and had undergone multiple surgeries, including one on the knee about a month ago. He is survived by wife Anju and two children Neha and Angad.
Widely regarded as one of the game’s greatest left-arm spinners, Bedi represented India in 67 Tests and ten ODIs from 1967 to 1979. At the time of his retirement he was India’s highest wicket-taker in 266 Tests at an average of 28.71. . Bedi, unconventional legspinner Bhagwath Chandrasekhar, and offspinners Irapalli Prasanna and Srinivas Venkataraghavan formed the famous spin quartet that dominated Indian cricket in the 1970s.
Beyond his achievements in Indian cricket, Bedi enjoyed a successful career in the County Championship with Northamptonshire, for whom he took 434 first-class wickets at 20.89.
As a bowler, Bedi was a connoisseur’s delight, renowned for the classical elegance of his action and his ability to maintain perfect length in long spells with subtle variations in his speed, trajectory and release.
England captain Mike Brearley said, “Like most great bowlers, his variations were subtle Wrote about him. “Of all the slow bowlers of Alder’s time, none forced you to commit yourself later than he did. With tiny, last-second adjustments of wrist and arm-angle, he could make successful balls that looked the same, probably every one would land. Right off-stump. in outer length.
“But with the first one he’ll cock his wrist more, deliver the ball a bit higher – it’ll spin sharper, be wider and shorter than you’d expect. The next ball, ever so slightly undercut and a bit quicker, will pitch more. Up and middle and Get in towards the leg stump. First ball you play inside the line and away from the body; to the second, outside the line and round your front foot, so there was a risk. Inside edge of the pad.
“The error of judgment in a batsman could be as much as a yard in length and a foot in width. And he could make these changes that he felt the batsman was trying to make at the moment of delivery, so firm. And the balance was his action and rhythm.”
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